Friday, February 1, 2013

[K248.Ebook] Fee Download The Art of Practising: A guitarists' guide to developing technical precision and efficiency., by Alice Artzt

Fee Download The Art of Practising: A guitarists' guide to developing technical precision and efficiency., by Alice Artzt

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The Art of Practising: A guitarists' guide to developing technical precision and efficiency., by Alice Artzt

The Art of Practising: A guitarists' guide to developing technical precision and efficiency., by Alice Artzt



The Art of Practising: A guitarists' guide to developing technical precision and efficiency., by Alice Artzt

Fee Download The Art of Practising: A guitarists' guide to developing technical precision and efficiency., by Alice Artzt

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The Art of Practising: A guitarists' guide to developing technical precision and efficiency., by Alice Artzt

For guitarists - A guide to developing technical precision and efficiency by analyzing difficulties, reducing them to their simplest most basic form, and then selecting from an almost endless catalog of possibilities - basic patterns of finger movement – which can then be developed into exercises of any degree of simplicity or complexity required.

  • Sales Rank: #443922 in Books
  • Published on: 2015-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .6" w x 8.50" l, .19 pounds
  • Binding: Paperback
  • 26 pages

About the Author
Alice Artzt, whom Guitar international Magazine has called "America's best player", made her solo concert debut in London in 1969. Since then critics in Europe, Asia, Africa, Australia, and the Americas have unanimously acclaimed her performances as a soloist, in concertos with orchestra, and in chamber music groups. She studied guitar with Julian Bream, Ida Presti and Alexandre Lagoya, and composition with Darius Milhaud at Aspen Colorado, and at Columbia University where she earned a degree in musicology. In addition to her concert performances, Alice Artzt also appeared frequently on TV and radio, and has been on the juries of many international guitar competitions (CAG, GFA, Toronto, Segovia NYU, Rodrigo, and Alessandria). She has made 13 solo records (LP or CD), and has written two books on guitar technique (The Art of Practising and Rhythmic Mastery), as well as many articles on music in various magazines. She has taught for the past 45 years in private lessons and in master classes all over the world. (Several of her instructional videos are on YouTube.) Presently she teaches privately in Princeton NJ - Contact: Guitartzt@aol.com, or by phone at 609-921-6629

Most helpful customer reviews

2 of 2 people found the following review helpful.
This is a great book to have at home or on the road ...
By Alexander Balsam
This is a great book to have at home or on the road (since it weighs less than 3 OZ!) The volume of useful information concentrated in this 25 page book could easily fill 100 pages, and the value of the information is priceless. The book explains what the art of practicing means, describes the optimal sitting, left and right hand positions and potential problems to avoid, and provides advice on how to invent exercises for right and left hands that address your own specific technical problems. The author also provides several hundreds of exercises that would benefit players at any level. After playing those exercises my right hand became well balanced and technically proficient.

1 of 1 people found the following review helpful.
All guitarists SHOULD work through this book
By Abdul Harun
This book has been nothing short of life-altering for me. Years ago, I tried to understand how virtuoso guitarists are able to play without mistakes, with smoothness, ease, flow and seemingly minimal finger movement and then, I found this book! My world was really turned upside down. I abandoned my quite extensive repertoire, (at that time), and focused on the exercises in the book. The first two months was not easy. That pinky kept jumping up! Then when I eventually got it right, I wanted more and more.

After many months of playing nothing but the exercises in the book, I started dabbling in the pieces again. The results were astonishing! It felt as if I was not even doing the playing. It was as if my fingers were walking through the pieces by themselves! (I know that sounds exaggerated, but it REALLY was my experience). I did not have to exert the same effort as before, and I was getting more music, more beauty and more everything than I had ever gotten out of the guitar. My guitarist friends were amazed. When I played anything, it became standard behaviour for them to get up to look at my hands from all possible angles, to see what I was doing. I wanted all of them to do the exercises in the book!

If there is a “magic formula” for reaching concert level guitar playing, I believe this book teaches it. I have returned to the exercises in this book and to the guitar after many years of absence. I have given myself a time line, and then I will record an album. I believe in this book that much! I am eternally thankful to The Force which led me to finding it when I did.

1 of 1 people found the following review helpful.
I highly recommend it for anyone studying classical guitar and striving to ...
By Ed Edelson
I agree with all the comments posted by previous reviewers. I am a beginning-intermediate classical guitarist and find the book extremely valuable. It provides needed exercises for improving one's basic skills, and thoughtful discussion on the rationale and benefits for each exercise. I highly recommend it for anyone studying classical guitar and striving to improve their technique.

See all 9 customer reviews...

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